"Documentary Photography Essay". Anti Essays. 30 Aug. 2017

Ripples from the recent economic downturn spread far and wide. Not since the Great Depression have the lives and stories of so many Americans been impacted in the collapse of financial systems. In the 1930’s, Roy Stryker sent out dozens of (Farm Security Administration) photographers across the U.S. to make a permanent record of the times; in the process the FSA helped shape the history of the photographic medium. In the 21st century, Ken and Melanie Light continue that tradition of documentary storytelling.

Documentary Photography and the Photographic Essay

CDS Documentary Essay Prize—for the best in short-form documentary photography or writing
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Documentary Photography Essay - by Sam6O - Anti Essays

This paper analyzes the changing status of documentary photography in relation to conceptual art practices of the 1970s in the United States. Specifically, I emphasize the ways these photographic manifestations influenced one another, resulting in the movement of traditional documentary expectations of objectivity towards ambivalence, rooted in the particular anxieties and social upheavals of the late 1960s and early 1970s, as well as extending possibilities opened by viewing documentation as art. Both documentary photography and conceptual photography in this era question the photograph’s ability to bear witness and moreover to articulate affect. I consider the work of artists such as Robert Smithson, Robert Barry, and Dennis Oppenheim as a means of understanding how the photographic act was frequently fused with the performative, ultimately destabilizing the very possibility of understanding a photograph as a reliable document or of grasping the category “documentary” itself as a coherent entity.

Photo Essays Archives - Documentary Photography Review

I think one of the most important periods in documentary photography in the U.S. was due to the . The was a division of the and it was set up to document the conditions of farmers during the Great Depression. During the Great Depression, farmers were hit not only by incredible drought and poor farming practices, they were also were hit by bank foreclosures, loss of their land, [coupled with] their inability to raise capital to buy seed and equipment. And many of them were thrown off the land. Their conditions were horrific and we read about what the Arkies and Okies described, who left their land for these reasons, and who headed to California.

A Photography Journey of Documentary, Photo-Essays and Street Journalism
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Documentary vs Fashion Photography essays

Despite early interest in candid or snapshot-style street photography seen in The Terminal of 1893 () and The Steerage of 1907 (), he attempted to turn the page on the natural development of the documentary tradition in photography with his successful 1910 retrospective of at the Albright Art Gallery in Buffalo, New York. If the age of electricity, the automobile, and the telephone would, by caveat, be ignored by the Pictorialists, modern realities in the 1890s to 1910s would nonetheless appear in images produced by tens of thousands of artists and amateurs who found the world intoxicatingly attractive, if at times disorderly and brutal. Alongside selected examples of the work of Stieglitz and members of his circle (Paul Strand, , and ), the photographs of Jacob Riis, Arnold Genthe, Lewis Hine, and E. J. Bellocq, among others, provide a sampling of early documentary practice in America.

Documentary photography Essay Example | Topics and …

The Firecracker Photographic Grant is an annual award providing funding for a female photographer to aid with the completion of a documentary photographic project. Through a combination of self-initiated fundraising and with the generous support of Genesis Imaging, the Grant fund is a minimum financial contribution of £1,000 plus £1,000 credit of professional printing, mounting and framing services from Genesis Imaging.

A Photography Journey of Documentary, Photo-Essays …

I chose to review In Search of Norman Rockwell’s America at least in part because it represents a very different part of Christian documentary photography from the photo essays on missionary work I have previously reviewed. I’ve tried to make the point, and I’ll make it again here, that Christian documentary photography encompasses much more than documenting the work of Christians. As exemplified by In Search Of Norman Rockwell’s America, this genre also encompasses any photography dedicated to showing what is virtuous in the world. In this particular case, Rivoli’s photographs do an admirable job of capturing the essence of what we are all called to contemplate.